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Zombie Month: Creepshow and a Short Word About Leslie Nielsen by Jamie

When I was a young creature, freshly spawned from the Earth and learning to survive in the harsh, unforgiving bitch of a world I came to find myself living in, I came across a movie. That movie was ‘Airplane!’ and it was one of those films that would come to build the foundation of what I would find funny in later life. Being a young British spawnling at the time I’m sure there were certain references in the film that flew over my head and I probably hadn’t seen any films from the genre that the film was spoofing but it was hilarious all the same. In particular there was one grey haired gentleman name Dr. Rumack, a straight-faced, serious yet hilarious man who had me laughing with his insistences that people not call him Shirley. That doctor was played by Leslie Nielsen.

As I grew I came to see more of the man’s comedic work in particular ‘Police Squad’ which in turn lead to the film series ‘Naked Gun’. Nielsen played Detective Frank Drebin and continued to do what he had done so well, playing a serious man in a ridiculous world and treating the ridiculous as though it were commonplace such as arresting a chimpanzee dressed in a gangster suit for murder at the zoo or having a whole bunch of cops kill each other in order to figure out the trajectory of a bullet. Things got a bit more ridiculous and slapsticky in ‘Naked Gun’ but it was still based on the very simple premise that the ridiculous parody world that the characters inhabited was just completely normal to them. As I said, it was this kind of thing that Nielsen shined at. It also shouldn‘t be forgotten that the man had made comic timing look like an art, always knowing the funniest moment to react to or comment on what was going on around him.

His later works suffered a bit in quality and I’ll be honest I didn’t see many of them. I saw ‘Dracula: Dead and Loving It’ when I was about twelve and being young, I probably found it quite funny though repeat viewings have quashed that opinion. I will say that he was probably one of the only things I found funny in ‘Scary Movie 3’. I didn’t see ‘Scary Movie 4’ and I’ve seen a little of ‘Superhero Movie’. It was enough, trust me.

Still, this isn’t about then, it’s about before then. Those classics that I grew up with and loved and the man who helped make them as funny as they were. Leslie Nielsen, a great funny, funny man. The world sucks a little more now that he’s dead.

In honour of Leslie Nielsen, I’ve shoe-horned Creepshow into the Zombie month. I know I said I wasn’t going to touch on Romero’s films but it isn’t a ‘…Of the Dead’ film and these are mitigating circumstances so fuck you. Besides, I can write about what I want and change my mind as I see fit. It’s a blogger’s prerogative… Look, I’m sorry; I didn’t mean to swear at you. It’s just that I could feel you judging me with your eyes and… Let’s just move on shall we?

Creepshow is a 1982 horror anthology film directed by George A. Romero (The Deadfather) and written by Stephen King. If you don’t know what a horror anthology is then… Well, have you seen a Halloween episode of ‘The Simpsons’? Think that but live action and, depending on the film, less humour. Creepshow was based on the precept that the shorts in the film were stories in one of those old 50s horror comics book that a boy’s father had found and thrown away and it had quite a few notables amongst it’s cast. Besides Nielsen it also featured Ted Danson, Adrienne Barbeau, E.G. Marshall, Ed Harris, Hal Holbrook, Joe Hill (Stephen King’s son), a small cameo by Tom Savini and Stephen King himself playing a stereotypical hillbilly who begins sprouting weeds after getting ‘meteor shit’ on his hands.

Nielsen appears in a segment called ‘Something To Tide You Over’ which appropriately enough features Zombies, so let’s dig into it a little, shall we? Oh, spoiler alert by the way. The segment is short so not talking about the plot would leave me very little indeed.

Nielsen plays a wealthy man, Richard Vickers, who seems somewhat obsessed with televisions and videos. He discovers that his young trophy wife Becky (Gaylen Ross) is having an affair with Henry Wentworth (Ted Danson) whom he promptly kidnaps. He takes Wentworth to his private beach and forces him to bury himself up to his neck in sand. He then sets up a television and a camera so that Wentworth can watch as Becky, buried in another location further down the beach, dies as the tide slowly comes in. Vickers returns to his beach house, leaving Wentworth to his presumed fate.

Later that Vickers begins hearing strange noises and is shocked to find that Wentworth and Becky have risen from the dead! They come for him, telling they’ve made a hole for him down on the beach. He tries to shoot them but the bullets prove ineffective against the undead lovers. I gotta say, this was actually pretty creepy, even watching it again. There’s something about the Zombie make-up, all covered in sea-weed, the way they speak and the way they relentlessly but slowly come after Vickers, arms outstretched, that just really got to me. Anyway, the final scene is Vickers buried up to his neck in the sand, screaming that he can hold his breath for a long time as the tide slowly comes in.

So what can be said about ‘Something to Tide You Over?’ Well it’s certainly one of the more serious, scarier parts of ‘Creepshow’ with some of the other segments certainly having a more obvious sense of humour about them. This may come as something as a surprise as this was just two years after ‘Airplane!’ and around the time ‘Police Squad’ was being shown on television. Still there is humour there and it’s found in Nielsen’s dry, villainous wit as he kidnaps Danson and forces him to bury himself. It’s also a bit weird to see him playing the villain but you can tell he’s having a good time with it is imminently fun to watch.

As for the Zombies, they aren’t the traditional Romero fare. As this is based on those old horror comics, they are far more akin to the living dead that would be found in the pages of those. They are generally small in number, tend towards the skeletal (as in the first segment, Father’s Day) or, as in the case of this segment, have a very maritime flair. They are also brought back from the dead not by some mysterious virus or hell having run out of room. No, they are motivated by the mystical force of revenge, coming to seek vengeance on those who wronged them in life which is a kinda cool concept but not one that’d work on a mass Zombie Apocalypse level.

So there you go. That’s my review of one segment from Creepshow in honour of Leslie Nielsen. I heartily recommend it and the whole of Creepshow really. It’s got a few problems here and there, with some of the segments seeming a little more drawn out than perhaps they should have been but if you like horror, horror anthologies or the earlier works of George A. Romero, I highly recommend it. Four pints out of five. Laterz.

You can buy Creepshow at the Cinepub Amazon.co.uk Store.



Zombie Month: Creepshow and a Short Word About Leslie Nielsen by Jamie

When I was a young creature, freshly spawned from the Earth and learning to survive in the harsh, unforgiving bitch of a world I came to find myself living in, I came across a movie. That movie was ‘Airplane!’ and it was one of those films that would come to build the foundation of what I would find funny in later life. Being a young British spawnling at the time I’m sure there were certain references in the film that flew over my head and I probably hadn’t seen any films from the genre that the film was spoofing but it was hilarious all the same. In particular there was one grey haired gentleman name Dr. Rumack, a straight-faced, serious yet hilarious man who had me laughing with his insistences that people not call him Shirley. That doctor was played by Leslie Nielsen.

As I grew I came to see more of the man’s comedic work in particular ‘Police Squad’ which in turn lead to the film series ‘Naked Gun’. Nielsen played Detective Frank Drebin and continued to do what he had done so well, playing a serious man in a ridiculous world and treating the ridiculous as though it were commonplace such as arresting a chimpanzee dressed in a gangster suit for murder at the zoo or having a whole bunch of cops kill each other in order to figure out the trajectory of a bullet. Things got a bit more ridiculous and slapsticky in ‘Naked Gun’ but it was still based on the very simple premise that the ridiculous parody world that the characters inhabited was just completely normal to them. As I said, it was this kind of thing that Nielsen shined at. It also shouldn‘t be forgotten that the man had made comic timing look like an art, always knowing the funniest moment to react to or comment on what was going on around him.

His later works suffered a bit in quality and I’ll be honest I didn’t see many of them. I saw ‘Dracula: Dead and Loving It’ when I was about twelve and being young, I probably found it quite funny though repeat viewings have quashed that opinion. I will say that he was probably one of the only things I found funny in ‘Scary Movie 3’. I didn’t see ‘Scary Movie 4’ and I’ve seen a little of ‘Superhero Movie’. It was enough, trust me.

Still, this isn’t about then, it’s about before then. Those classics that I grew up with and loved and the man who helped make them as funny as they were. Leslie Nielsen, a great funny, funny man. The world sucks a little more now that he’s dead.

In honour of Leslie Nielsen, I’ve shoe-horned Creepshow into the Zombie month. I know I said I wasn’t going to touch on Romero’s films but it isn’t a ‘…Of the Dead’ film and these are mitigating circumstances so fuck you. Besides, I can write about what I want and change my mind as I see fit. It’s a blogger’s prerogative… Look, I’m sorry; I didn’t mean to swear at you. It’s just that I could feel you judging me with your eyes and… Let’s just move on shall we?

Creepshow is a 1982 horror anthology film directed by George A. Romero (The Deadfather) and written by Stephen King. If you don’t know what a horror anthology is then… Well, have you seen a Halloween episode of ‘The Simpsons’? Think that but live action and, depending on the film, less humour. Creepshow was based on the precept that the shorts in the film were stories in one of those old 50s horror comics book that a boy’s father had found and thrown away and it had quite a few notables amongst it’s cast. Besides Nielsen it also featured Ted Danson, Adrienne Barbeau, E.G. Marshall, Ed Harris, Hal Holbrook, Joe Hill (Stephen King’s son), a small cameo by Tom Savini and Stephen King himself playing a stereotypical hillbilly who begins sprouting weeds after getting ‘meteor shit’ on his hands.

Nielsen appears in a segment called ‘Something To Tide You Over’ which appropriately enough features Zombies, so let’s dig into it a little, shall we? Oh, spoiler alert by the way. The segment is short so not talking about the plot would leave me very little indeed.

Nielsen plays a wealthy man, Richard Vickers, who seems somewhat obsessed with televisions and videos. He discovers that his young trophy wife Becky (Gaylen Ross) is having an affair with Henry Wentworth (Ted Danson) whom he promptly kidnaps. He takes Wentworth to his private beach and forces him to bury himself up to his neck in sand. He then sets up a television and a camera so that Wentworth can watch as Becky, buried in another location further down the beach, dies as the tide slowly comes in. Vickers returns to his beach house, leaving Wentworth to his presumed fate.

Later that Vickers begins hearing strange noises and is shocked to find that Wentworth and Becky have risen from the dead! They come for him, telling they’ve made a hole for him down on the beach. He tries to shoot them but the bullets prove ineffective against the undead lovers. I gotta say, this was actually pretty creepy, even watching it again. There’s something about the Zombie make-up, all covered in sea-weed, the way they speak and the way they relentlessly but slowly come after Vickers, arms outstretched, that just really got to me. Anyway, the final scene is Vickers buried up to his neck in the sand, screaming that he can hold his breath for a long time as the tide slowly comes in.

So what can be said about ‘Something to Tide You Over?’ Well it’s certainly one of the more serious, scarier parts of ‘Creepshow’ with some of the other segments certainly having a more obvious sense of humour about them. This may come as something as a surprise as this was just two years after ‘Airplane!’ and around the time ‘Police Squad’ was being shown on television. Still there is humour there and it’s found in Nielsen’s dry, villainous wit as he kidnaps Danson and forces him to bury himself. It’s also a bit weird to see him playing the villain but you can tell he’s having a good time with it is imminently fun to watch.

As for the Zombies, they aren’t the traditional Romero fare. As this is based on those old horror comics, they are far more akin to the living dead that would be found in the pages of those. They are generally small in number, tend towards the skeletal (as in the first segment, Father’s Day) or, as in the case of this segment, have a very maritime flair. They are also brought back from the dead not by some mysterious virus or hell having run out of room. No, they are motivated by the mystical force of revenge, coming to seek vengeance on those who wronged them in life which is a kinda cool concept but not one that’d work on a mass Zombie Apocalypse level.

So there you go. That’s my review of one segment from Creepshow in honour of Leslie Nielsen. I heartily recommend it and the whole of Creepshow really. It’s got a few problems here and there, with some of the segments seeming a little more drawn out than perhaps they should have been but if you like horror, horror anthologies or the earlier works of George A. Romero, I highly recommend it. Four pints out of five. Laterz.

You can buy Creepshow at the Cinepub Amazon.co.uk Store.



Review: Inception by Jamie

Another spoiler free review. Well, I say spoiler free but since the plot of Inception has been kept so quiet, pretty much everything is a spoiler. No endings or anything will be given away though. Also, I’m sorry if this review seems a bit weird or if there are more spelling or grammar mistakes than usual but I hit my head pretty hard on Saturday night and I’m having a hard time focusing on what I write for too long. Anyway, enjoy.

Christopher Nolan has certainly made quite a name for himself round Hollywood way. The man seems to be a master story teller with a real flair for incredible visuals. Essentially he’s a world builder, taking odd or interesting concepts which could easily seem otherworldly and bizarre and manages to ground them in some sort of plausible reality. Take ‘The Dark Knight’ for example. He managed to make a man dressed as a bat trying to stop a terrorist dressed as a clown seem perfectly rational. That takes quite a bit of genius to achieve.

So when the hype began to build around his latest film, ‘Inception’, the world began to take notice. The trailer didn’t give too much away and the plot remained fairly under wraps until the films release. In fact the secrecy surrounding the film is probably the most impressive thing given that we now live in the internet age where things are leaked or crew members accidentally give things away on Twitter to such a degree that you often know the plot of a film before you go in. Somehow Inception managed to avoid all that which must have been pretty sweet for a big summer blockbuster.

So what exactly is the film about? Well, to tell you exactly would be kind of spoiler territory so how can I do this properly. Well, Dom Cobb (Leonardo DiCaprio) and his team are a bunch of extraction experts who use their special skills and equipment to head into peoples dreams and extract important information and secrets. The title Inception comes from actually implanting ideas inside peoples heads which is apparently very difficult to do.

The film looks about as stunning as you’d expect something from Christopher Nolan and his cinematographer Wally Pfister (Hehehe, Pfister) to look. From the streets of cities to snow covered mountains, it’s all very crisp and clear. The CGI is impressive as well, particularly the scenes you’ve probably seen in the trailer of streets rising up to a 90 degree angle. The important thing and something Nolan seems to be pretty consistent with is that the CGI is used very sparingly. After all, as one of the characters says in the film, dreams are generally pretty normal and you don’t realise you’re in them until you notice something amiss or something really crazy happens.

There’s also a nice sprinkling of physical effects as well. For example there is a scene in which a fight occurs in a zero gravity environment and, as I understand it, all of that was done practically with a giant tube that span around a lot of something. I did know the technical term for that once but the smack to my noggin seems to have knocked it out of my brain box. Fuck. The point is that it’s a kick ass action scene as most of the action scenes are.

In fact there seems to be a lot of hype surrounding this film about how complex and intricate everything is but to be fair I didn’t really see it that way. I actually thought that the whole thing played fairly straightforwardly as a slightly more intelligent than average action film would. Of course I think the level of complexity that you consider the film to have all depends on how you take the final scene. That’s all I’ll say about that. If you have seen the film and you want to know my take on it then you’ll have to ask me in person, over twitter or over facebook or something.

All of the acting is fairly solid though some of the characters were the kind of stock characters you’d find in any heist film (and yes, at heart this is kind of a heist film). You’ve got you’re intelligent and cautious character who just wants to get the job, you’re comic relief who’s a bit cocky, you’re character who’s providing the money and the job in the first place who’s never done a heist before but insists on coming along anyway and you’re rookie who’s brought in because they’re skilled in a specifically specialised job that the team needs for this mission. In a lesser film this kind of thing would annoy me but here it all works fairly well and most of the characters are fleshed out a little better than what I’ve just written would suggest. Fuck feeling woozy again.

There is one major problem I did kind of have with the film though and I’m afraid that in order to address it I’m gonna have to enter some very light spoiler territory. If you haven’t seen the film and don’t want anything at all revealed then perhaps you should go away now. I was going to give the film four and a half out five anyway and highly suggest you watch it so there you go.

Right, are they gone? Good. Ok, the only real problem I had was the fact that everyone keeps on going on about how difficult inception is, how hard it is to implant a fresh idea in someone’s head without them realising that it’s been planted there but to be honest it kind of seemed as though it wouldn’t have been that difficult if not for the fact that their target had had his mind trained to protect itself from extraction and one of the crew had severe problems that was infecting the targets dream state. Honestly, it looked their mission would have been pretty damned easy if not for those two elements but hey, I guess I’m kinda nitpicking here. Oh, speaking of nitpicking it did seem to me as though Joseph Gordon Levitt was kinda young to be an expert at extraction but hey, he turned in a solid performance so I guess I can let it slide.

Right, I’m sorry, I’d love to write more on this review but I’m just having trouble concentrating on words being typed on a screen without feeling really dizzy so I’m gonna have to stop. Maybe I’ll have another, fuller review written when the Blu-Ray comes out and everyone’s had a chance to see it. I’ll sum up by saying Inception is a damn fine film but I didn’t find it as complex as everyone’s been saying. In fact, I found the Joker’s plot in ‘The Dark Knight’ and the way he played everyone in Gotham City to be far more complex but again, I think it all comes down to how you take the ending. That’s it, apologies again but I have to end this now. Four and a half pints out of five. Laterz.




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