Cinepub


Review: Fast And Furious 6 by Jamie

I’m not a car guy. Never have been, never will be. Because of this fact I pretty much ignored the Fast and Furious franchise for quite some time until pretty much earlier this year, or maybe late last, when I began listening to a podcast called “How Did This Get Made“. It has quickly become not just one of my favourite podcasts but one of my favourite things. Anyway, one episode they delved into Fast 5 and, being somewhat obsessively compulsive when it comes to film, I decided to watch all five entries in the series. Back to back. To say it was something of an endurance test would be understating it.

The first four films are terrible. At least I think they are. I remember literally nothing from part 4. Nothing. Then I watched the fifth one and it was, well, it was stupid but it was fun. Ridiculously fun. Yes, it was still a pretty bad film but it was unashamedly so. It was pure, high-octane insanity and the thing that made it beautiful was how little it relied on CGI. Things actually happened. Cars were wrecked, things exploded and stunts were pulled. It was also greatly improved by the inclusion of Dwayne “The Rock” Johnson who, it could be argued, is literally impossible to hate.

So what then of the 6th installment of this series? Does the insanity continue? Well, I’m happy to say that it does. Not only that but, and I realise that I risk losing some credibility here but fuck it, it’s a legitimately good movie. I mean that wholeheartedly. I didn’t like this film ironically or sarcastically. I enjoyed it pretty much from beginning to end, an end which literally had me on the edge of my seat. I understand that the trailer somewhat spoils the last scene though so it’s a good thing I managed to avoid it.

That’s not to say that the film isn’t stupid in places. It is but it revels in it’s stupidity in such an endearing and enjoyable way that you can’t fault it for it and the bits of the film that are great are genuinely great.

Once again the stunt work here is amazing. You can tell that the film makers love cars and want to try and get them to do crazy shit you haven’t seen before. There may be a little more reliance on CG here than in, say, part five but the basic skeleton of it is all practical stunts and just seeing it all unfold is wonderful.

I will say that this is the first Fast and Furious film that I’ve actually seen at the cinema and it’s entirely possible that seeing the stunt work on the big screen with surround sound is part of why I loved it so much. In fact I’m sure it is. It’s entirely possible, perhaps even likely, that my opinion will change when revisiting this film on Blu-ray. But that’s all in the future, for now I’ll just say see this movie where it will be most effective.

As for the plot well, and this is very rare for me to say this, the plot isn’t that important. Still what is here is a perfectly serviceable means to get from point A from point B. In this episode of the series, Dom Toretto (Vin Diesel) and his crew are approached by special agent Luke Hobbs (Dwayne “The Rock” Johnson) to help him take down Owen Shaw (Luke Evans) and his crew who are robbing and wreaking havoc all across Europe. Hobbs offers them a full pardon for their past transgression and sweetens the deal even more by informing the crew that the formerly thought dead Letty Ortiz (Michelle Rodriguez), Toretto’s past love, is working with Shaw. The mission laid out, the crew head to London to stop Shaw and get Ortiz back.

So yeah, it’s nothing we haven’t seen before. There are countless times that retired criminals are offered a pardon in exchange for helping law enforcement catch someone who are just like them. In movies, I mean. Not in real life. That’d be awesome though…

Still, the movie points out the ridiculous in the plot even going so far as having the comic relief Roman (Tyrese Gibson) point out that the villains are essentially the crew’s evil twins. It’s as if the movie is saying “Look, we’re on the same wavelength here. We know that you’re not really here for a deep, involved story. You want stunts and explosions. Trust us, so do we. Just stick with us while we get this out of the way and we’ll return you to that.”

Adding to this is the fact that Hobbs is referred to three times as different Marvel superheroes. Captain America, The Hulk and Thor. Again it’s almost like the film is referencing them directly as if to say “Look, those superhero movies you all like are equally as ridiculous as this and you love them. Love us.” I may be overthinking that one, I’ll admit. It may just be that The Rock is ridiculously muscled.

Still, the story moments are enjoyable because the characters are all, in some way or another, likeable. Are they all somewhat cliches that serve to fulfill certain cliched roles? Yes, to an extent but they’re all just having so much fun with it and sometimes you just need something simple and uncomplicated with pretty cars even when you didn’t know that’s what you needed. Seriously guys, I loved this fucking movie.

My biggest problem with it? Probably Vin Diesel. I just kinda don’t like the guy. He’s aweome in Pitch Black and, to hi credit, he does exactly what he needs to here but there’s just something about the guy that rubs me the wrong way. My fault not the movies.

So yeah, the plot’s paper thin and it’s all something you’ve seen before but you’ve never seen it this way before. And it’ eminently enjoyable. Four pints out of five. Laterz.

Poster

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Review: Transformers: Dark of the Moon by Jamie

After a few weeks of blip.tv issues and painfully slow internet connections, I finally present the Cinepub drunken video review of Transformers: Dark of the Moon.

[blip.tv http://blip.tv/play/AYLOlwQA%5D



Review: Legion by Jamie

I think I’ve pretty well established that I’m not the religious type on this blog. Still, the idea of religions and their mythologies is an admittedly fascinating topic to me. In the monotheistic religions, the idea various realms of reality warring and trying to one up each other is always an interesting topic to explore. Be it ‘Dogma’ or ‘South Park: Bigger, Longer And Uncut’, the subject has been explored and generally it keeps me entertained. Today’s film, Legion, is yet another to try and tackle this issue.

The basic premise is thus: God has decided he’s gonna get all Old Testament on humanity and wipe our unworthy species from the face of his creation. The archangel Michael (Paul Bettany), commander of God’s army, has decided that he doesn’t want to exterminate humanity and has a sneaking suspicion that God isn’t exactly 100% committed to the idea either. So he falls from heaven, cuts of his wings and decides to join humanity to fight against the angelic horde and to protect an unborn child that he claims will be the saviour of mankind.

The unborn child is currently residing in the womb of a waitress, Charlie (Adrianne Palichi), working in a diner out in the middle of nowhere with her boss Bob (Dennis Quaid), his son Jeep (Lucas Black) and Percy (Charles S. Dutton), a one-handed chef. Also stuck at these diner are a family with car trouble, father Howard (Jon Tenney), mother Sandra (Kate Walsh) and daughter Audrey (Willa Holland) as well as Kyle (Tyrese Gibson), a dude who needs to make it somewhere else for his divorce court hearing… on Christmas… Ho, ho, ho.

Anyway the shit hit’s the fan, the angelic horde descends and the battle is on. Wait did I say angelic horde? I’m sorry, that’s wrong because you only actually see one angel, the archangel Gabriel who has assumed the role left by Michael as the commander of God’s army. The rest of the army have decided that the best way to go about the extermination of the human race is to inhabit human bodies essentially making them kind of zombie-ish creatures that can speak and seem to have enhanced strength. Of course, it makes sense really. It’s not like you’d want to use those wings or anything. Especially as it turns out later on that those wings are bullet-proof and have razor sharp feathers…

Now there are some mildly cool things in this film. The fight scene between Michael and Gabriel is kinda cool, a flashback in heaven in which thousands of angels fly through the sky is kinda cool and a scene with characters on top of a roof firing guns into the crowds of possessed people who have gathered below is reminiscent enough of a zombie movie to get a pass from me. There’s also some pretty interesting concepts taken from Christian mythology. When Gabriel descends to Earth there is the sound of an almighty horn which is apparently meant to signal the coming of the end times. Still the best two things in this film is when a small possessed child cuts it’s thumbs of and a possessed old lady calls Sandra a ‘fucking cunt.’ Any time a seemingly sweet old lady uses that phrase is pretty fucking cool.

Unfortunately it’s all too little to really make this a film that’s particularly worth watching. I mean, seriously, why the fuck do the angels possess people rather than just fight in their angel forms? Do you know how awesome it would have been to have a huge army of angels flying from the skies to attack people below? Instead what your left with amounts to little more than a second rate zombie film.

Also I’d personally have liked to have seen Hell involved in some way. Maybe whilst God’s army was busy trying to wipe out humanity Satan could have gathered his own army and launched his own assault on Heaven and Earth or something. I don’t know. Maybe it would have been too much. Would have been cool though…

Also the plot is really ploddingly slow at times, pretty much to the point where I got bored for a fair while after the first attack and began just surfing the net on my phone until things started to pick up again. There are also some pretty big plot holes. For example, why is this child so fucking important? Seriously, it’s never explained. It clearly isn’t Jesus’ little brother because why would God be sending his angels to kill it? And if this child can redeem mankind, why does God want it dead? I know he’s has indeed gone a bit Old Testament but there’s surely meant to be some kind of element of forgiveness in him. What I’m saying is God’s just a little out of character from the books and films he’s been in before.

Overall there really are just too many problems with this film. Paul Bettany’s pretty good to be fair but if you wanna see him in a better film from recent times then check out the Darwin bio-pic ‘Creation’ instead. He’s fucking awesome in that and it’s an all around better film. Two pints out of Five. Laterz.




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