Filed under: Review | Tags: 2011, Abin Sur, action, Adventure, Amanda Waller, Angela Bassett, Blake Lively, blockbuster, Carol Ferris, Clancy Brown, DC, DC Comics, DC Entertainment, De Line Pictures, Dion Beebe, Donald De Line, fear, Geoffrey Rush, Gil Kane, Green, green lantern corps, Greg Berlanti, guardians, guardians of the universe, Hal Jordan, Hector Hammond, James Newton Howard, Jay O. Sanders, John Broome, Jon Tenney, Kilowog, Lantern, Marc Guggenheim, Mark Strong, Martin Campbell, Michael Clarke Duncan, Michael Goldenberg, Michael Green, Mike Doyle, oa, Parallax, Peter Sarsgaard, Robert Hammond, Ryan Reynolds, Sinestro, Stuart Baird, summer, superhero, Taika Waititi, Temuera Morrison, The Green Lantern, Thomas Kalmaku, Tim Robbins, Tomar-Re, Warner Bros. Pictures, willpower, yellow
In the interest of keeping this thing spoiler-free, this will be a short review. However, if you‘ve seen the film or don‘t care about spoilers then I recommend this site for a pretty damn funny summary which concisely lists every criticism I have as well.
I’ve come pretty late to the whole Green Lantern thing. In general I find Marvel’s Universe far more interesting and the only DC character I’ve had a really strong interest in has been Batman because he’s fucking Batman. Green Lantern always seemed, well, kinda lame to me. Didn’t really understand a great deal about the character except that he had a magical ring and he didn’t like the colour yellow. Still I decided it was time to rectify that situation and so I read the Sinestro Corps Wars and the war between all the colours that followed as well as a little bit of Blackest Night and I was quite surprised by the whole thing. I liked the concept of the whole ‘space cops’ thing and the emotional spectrum (although willpower is absolutely in no way an emotion).
So I had a little bit of background and some understanding of the Green Lantern universe when I went in to see the film starring Ryan Reynolds as Hal Jordan, Blake Lively as Carol Ferris, Peter Sarsgaard as Hector Hammond and Mark Strong as Sinestro, the most subtlely named character in the history of fiction until the Decepticons came along. And let me tell you right now, I am glad I had that slight bit of background because I honestly don’t know how you’d have a fucking clue as to what’s going on in this film if you didn’t. The films opens with a short bit about how and why the Lantern Corps were formed and after that things are just pretty much shown or stated to be a certain way and you just kinda have to accept it. I’m not saying the film should stop and explain in excruciating detail why things are the way they are in the Green Lantern universe but not just being thrown into the deep end would probably be nice.
Now, when I first saw the movie, I didn’t think it was really deserved the critical nut shot it seemed to be getting. Sure, the film was flawed but not nearly as flawed as people said and I originally chalked this up to people perhaps not having the little bit of background that I had gone into the film with but since that time I’ve kind of rethought a few things and, whilst I still don’t think it’s as terrible as has been reported, I do think it’s a more flawed film than I originally did.
For one, the best part of the film was probably the stuff on Oa and I was certainly pissed off with how little of that stuff there was. Hal’s training seems to consist of three lessons which I suppose is all it takes to understand how to responsibly use a weapon with practically limitless destructive power. Compare the way that “Thor” balanced the scenes of Earth and Asgard to the way this film did things and you’ll see why Thor is a much more highly regarded film.
Also, considering this film is supposed to be about a superhero, Hal isn’t particularly heroic. There are scenes where he does nothing to help anyone until the girl he wants to fuck’s life is in danger, scenes where he’s hanging around waiting to stop the villain whilst the villain tortures and kills people and in the scene where he first discovers his power, he isn’t trying to save a baby from traffic or an elderly woman from a terrible fall, no he’s fighting outside a bar with men who he got fired earlier that day due to his own reckless actions. Sure the guys started on him and the first giant emerald fist he generated was accidental but still, to continue beating up these guys with your magical space ring considering you ruined their lives is the height of douchiness.
Ok, I can already feel myself wanting to get into spoilers. In fact, I‘ll give one here but in white text so it will be unreadable if you don‘t highlight it. Why does Sinestro take the yellow ring at the end of the film? I understand that it’s to set up the sequel but at no point during the film did he ever seem anything but an honourable, upstanding member of the Green Lantern Corps. Maybe a hint that something else was going on with Sinestro would have been good but no. Instead we just get a completely 180 degree character turn for no reason other than the need to set up a sequel. Terrible. At the end of the day, Green Lantern is an interesting concept that should have been handled far, far better than it was. I was expecting a film about a group of space cops, defending the universe with as little time spent on Earth as was necessary. Instead what I got felt a kind of crappy, bog standard superhero film. The scenes on Oa almost felt like they were an afterthought, something that the filmmakers felt they had to put in to appease fans and in order to set up their sequel. In the end, Green Lantern gets 2.5 pints out of 5
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Filed under: Review | Tags: Aaron Johnson, Angie D'Amico, Big Daddy, book, Chloë Grace Moretz, Chris D'Amico, Christopher Mintz-Plasse, cinema, Clark Duke, Cody, comic, Craig Ferguson, Damon Macready, Dave Lizewski, Detective Gigante, Dexter Fletcher, film, Frank D'Amico, Hit-Girl, Kick-Ass, Lyndsy Fonseca.Katie Deauxma, mark millar, Mark Strong, Marty Evan Peters, matthew vaughan, Mindy Macready, movie, movies, Nicolas Cage, Omari Hardwick, Red Mist, Review, Sergeant Marcus Williams, superhero, Todd, Xander Berkeley, Yancy Butler
Every once in a while a film comes along that defines where we are as a shared culture in the Western world. ‘Kick Ass’ is not that film. ‘The Dark Knight’ possibly is. A grim, pessimistic comic book film about a terrorist loose in a major city and the heroes who seem almost powerless to stop him. Though ‘Kick Ass’ is not that film, it is still fucking awesome.
There, I’ve pretty much shot my load already and revealed exactly what I thought about this film. Go see it and thanks for stopping by… No, I suppose we should get further into it. Ok, so ‘Kick Ass’ is about a guy who thinks the same thing that I’m sure most superhero fans have thought throughout their lives, why is it that no one has decided to dress up and just be a superhero? Unfortunately the sad fact is that people have already decided to do that and I’ll let you judge just how ‘super’ they are from this news clip:
Despite that the premise is still solid. Dave Lipetsk (Aaron Johnson) is the character who has this thought and, one wetsuit purchase from eBay later, becomes the titular superhero Kick Ass. He doesn’t have any superpowers to speak of, just his disguise, a couple of clubs and an ambition to help those in need. Naturally things don’t go well and, on his first attempt at stopping crime, he is stabbed and hit by a car landing him with six weeks in hospital, metal reinforcements to his skeleton and damaged nerve endings which allow him to take beatings a little better. He also makes the medics who take him in to promise not to tell anyone about his costume leading to people believing he was found naked which then leads to a rumour being spread around his high school that he is gay. Sounds bad but it actually allows him to get closer to the girl he’s always had a crush on, Katie (Lyndsy Fonseca), who has always wanted a gay friend.
As the film goes on Kick Ass really becomes more of a secondary character and the plot focuses more on Damon Macready (Nicolas Cage) and his 11-year old daughter Mindy (Chloë Grace Moretz) who take on the personas of costumed vigilantes Big Daddy and Hit-Girl in order to take violent revenge on Mafia Boss Frank D’Amico (Mark Strong). And by violent revenge I do mean violent. Limbs fly, shotguns are fired directly into heads at point blank range and all manner of other marvellously over the top deaths are portrayed on screen. Make no mistake, Big Daddy and Hit-Girl make this fucking film.
I’m not gonna go much further into plot for fear of spoiling the film for those who haven’t seen it. So let’s just focus on a few of the details, performances and even the controversies surrounding this film. Let’s begin with that man I’ve certainly had my fair share of problems with in the past, Nicolas Cage. Nicolas Cage is really doing annoyingly well these days and fair play to him. It’s annoying because it makes continuing on with my video series ‘Cage Rage’ talking about how terrible Cage is really difficult. That’s two films now that Cage has been awesome in lately, this and Bad Lieutenant: Port of Call New Orleans. Seriously Nic, what the fuck? You’re the only actor I know who does better films when he’s desperate for money.
So what of his actual performance, I hear you ask. Well, let’s just say that he manages to make you believe that he is a character who is clearly abusing his child through the way he is bringing her up in order to be a lethal, tiny assassin and yet he really, truly loves her. It’s just that his world view has been so warped by the events that have occurred that the only way he really knows how to express his love is by raising his daughter in this fashion. Also when in costume he does a brilliant Adam West-esque voice that is a joy to sit back and watch. Also I can see myself quoting the line ‘Oh Child, you always knock me for a loop!’ for some time.
Now to the most controversial character in the film, Hit-Girl as played by Chloë Grace Moretz. Yes she’s an eleven year old, yes she slices and dices villains with incredible ease and yes she utters the word ‘Cunt.’ Now a certain film reviewer in a certain British newspaper (Christopher Tookey of The Daily Mail) has also made certain claims that the film sexualises this 11 year old. Frankly I can help but be somewhat concerned about Mr Tookey if he was in anyway sexually aroused by this little girl in the least sexual superhero costume I’ve ever seen on a female character from comics. He also mentions that the girl also appears dressed in a school girl outfit with pig-tails. Dear God! Someone of a school going age wearing a school girl outfit! Someone alert the people who deal with this sort of thing!
He also mentions the mental abuse that Hit Girl goes through at the hands of her father. Well, Mr. Tookey, might I point out some examples of Superhero’s doing this sort of thing to younger sidekicks throughout the entire history of comics. Green Arrow and Speedy, Captain America and Bucky and perhaps the most popular superhero duo who have been gracing the comics since 1940, Batman and Robin. You’re really going to tell me that Bruce Wayne taking the freshly traumatised Dick Grayson under his leather wing and putting him in harms way on a regular basis isn’t tantamount to some kind of child abuse. Kick Ass is just as much a commentary on that stalwart of the genre as it is an entertaining action flick.
It manages to pastiche and reference the world of comics throughout it’s running time which makes sense given the nature of the film. When Kick Ass first begins training for his new role as a crime fighter there are several direct references to the first ‘Spider-man’ film where Peter Parker is first experimenting with his powers. One scene in particular stands out. Remember that scene where Tobey Maguire becomes a weird computer game character and begins leaping from roof-top from roof-top? Well, Kick Ass is about to do the same thing, running right up to the edge of the roof before stopping and deciding not to go through with it. There’s even references to ‘Scarface’ and the original Tim Burton ‘Batman’ film. It’s a geeks dream.
It is most important to remember though that the characters in ‘Kick Ass’ aren’t just carbon copies of characters we’ve seen in other comic book films. This isn’t ‘Superhero Movie 2’. The characters are actually well-rounded, well written and each have genuinely engaging and believable motivations for the actions they take. It’s kind of a spoof of the comic book genre in the same way that ‘Shaun Of The Dead’ was a spoof of the zombie genre. Yes it’s taking a few pot-shots at the genre but it’s lovingly done and with an actual story and actual characters. And that’s why you should go an see it. Four and A Half Pints out of Five. Laterz.