Cinepub


Review: Iron Sky by Jamie

Moon Nazis! There you go. There’s a certain sub-section of film fans out there who will read those two words and try and see this film as soon as possible. And with good reason. Nazis coming from the moon is such a damn good idea that it’s hard to see exactly why it hasn’t been done before. We’ve already seen Nazi Zombies, though that probably has more to do with the unrelenting Zombie trend that the world is currently going through, and Nazi’s fighting cigar-chomping demons so it seems odd that it’s taken this long for the idea of Moon Nazis to make it to the big screen especially considering the fact that one theory for UFO sightings during WW2 was that they were secret Nazi aircraft.

Still, it has taken this long and it comes in the form of a fully crowdso0urced film. Yes, the money for this project came from the donations of people who wanted to see this thing made and why wouldn’t they? Again, Moon Nazis! The fund raising efforts were aided by the release of this early teaser trailer:

See that? Nazis on the Moon! And they’re coming back! So yeah, the idea for this film is certainly awesome. But does the finished product live up to this wicked awesome premise? Let’s find out with a quick synopsis. I’ll try and keep it spoiler free.

In the year 2018, The President of the United States (Stephanie Paul), under the advisement of her… adviser Vivian Wagner (Peta Sergeant) launches a new manned mission to the moon in order to help with her re-election campaign. One of the astronauts is shot when he discovers a secret Nazi Moon base on the satellites dark side. The other, a black gentleman by the name of James Washington (Christopher Kirby) is captured by the lunar fascists under suspicion of being a an Earth spy. Meanwhile Renate Richter (Julia Dietze) is a young teacher who is lecturing her students about ‘the most unpatriotic language’, English, as it’s the language they need to know for when they return to those who need their help the most. She seems to be fully devoted to the Nazi cause and more than a little brainwashed, believing that Hitler was well-liked on Earth and that Charlie Chaplin’s film ‘The Great Dictator” is a loving, short-film tribute to the Fuhrer. She also happens to be a perfect genetic match for Klaus Adler (Gotz Otto) whose ambition is to become take power from the current Moon Fuhrer Wolfgang Kortzfleisch (Udo Kier) and lead the future invasion of Earth himself.

That’s pretty much an introduction to the major players of the film and their situation at the beginning of the film. I’ll leave the rest of the story a mystery because you should probably watch the rest of the movie yourself. So yeah, spoiler alert, I enjoyed this movie. At heart the film is a satire, in particular of the extremes to which the American political process seems to go to these days. For example, the way that the American President and her adviser react to the Nazis when they make themselves known to them is all about the American parties, the Republican Party in particular and the degtree to which some people view that party as having lost it’s mind a little. The fact that the President herself is a pretty on the nose parody of Sarah Palin just drives the point home further.

Around the web I’ve seen the film compared to ‘Dr. Strangelove’ a few times and, whilst it is a fun and funny film, it is not ‘Dr. Strangelove’ good although few things are so perhaps that shouldn’t really be held against it. The film even has a little homage to Kubrick’s classic film as well as a pretty dead on parody of that scene of Hitler yelling from ‘Downfall’. If you’ve ever used YouTube, you know what scene I’m talking about.

Now, as for the negative aspects of the film, well, it’s a low budget effort so some of the acting isn’t exactly top quality tohugh that kinda helps add to the cheesy feel that a film about Moon Nazis probably should have. Yes, a film like this certainly should have a certain cheese factor to it. The first time I watched this, however, I felt a little differently. Based on that trailer above, particularly due to the music, I thought that this was going to be a serious movie about Nazis from the moon invading Earth and I was actually a little disappointed when I found out it wasn’t. Having watched the film again, however, I can say that they got the tone just right and, as the reactions to ‘Abraham Lincoln: Vampire Hunter’ have proven, sometimes a premise is so ridiculous that it can’t be taken seriously and any attempt to do so will be met with indifference or ridicule.

Overall this really was an enjoyable experience and the little film funded by fans certainly deserves to be seen by as many people as possible especially those who get excited at the phrase Moon Nazis! Four beers out of five.



Zombie Month: A Virgin Among The Living Dead by Jamie

Well, I honestly thought that the recent Zombie craze which saw itself rise like… well, like a Zombie, in the early 2000s was kinda coming to end, replaced by a love for creatures which called themselves vampires and werewolves which in no way resembled vampires or werewolves. (Seriously, why is the Twilight series named after things relating to the night? None of the creatures powers in that series are linked in anyway to the night.) But the Zombie trend continues to shuffle on relentlessly like… well, like a Zombie, buoyed most recently by the awesome small screen adaptation of the awesome comic book ‘The Walking Dead’.

Because of this I’ve found myself more obsessed with Zombies than is probably legal. To try and get over this I have decided that December will be Zombie month at Cinepub. And really what better month than December to pick? For was December not the month that the man who would grow up to become the first Zombie, Jesus Hubert Christ, born? Well in reality probably not but the legend says it so and what’s better? The truth or an entertaining lie?
 

Clearly an entertaining lie.


So with all that in mind I went to Wikipedia’s list of Zombie films and arbitrarily picked thirty-one titles to watch and review. I decided to ignore the old classics such as Romero’s body of work and the beloved splatter films of the 70s and 80s because, well, what more can I say at them. (With the exception of one classic from the 80s because I haven’t seen it in years, I had a damn hard time finding it and this seems like a good excuse to finally rewatch it again). For the most part, many of the films seem to be made during the recent craze and many seem to be very, very low budget. I’m hoping that I’ll find a few modern gems amongst what I’m sure will be largely a pile of shit but hey, negative reviews are always more fun to write and read than positive ones so I’m sure we’ll have some fun.

Today’s entry in the marathon is one that didn’t come from the modern era. It’s titled ‘A Virgin Among The Living Dead’ and is from the 70s. It’s also European but I’m having a hard time pinning down exactly where. The opening titles are in French but according to IMDB the original language was German (my copy is dubbed) and it lists the country’s involved as France, Belgium, Italy and Germany but it certainly has a very French feel about it.

The basic story is… Well, it’s difficult to say. Let’s just say the film is a huge confusing mess, right of the bat. I’m also not sure exactly why it’s listed in Wikipedia’s list of Zombie films. We’ll come to that though. I guess the basic story is that a girl, Chirstine, who had been living in London returns to Miscellaneous European Country upon hearing the news of her father’s death in order to attend the reading of his will. She had never really known her father as he had sent her to private school in England after the death of her mother and had never met his extended family either.

Upon reaching the family castle (A ‘castle’ which it must be noted looked smaller than the villa I spent my summer holiday in Ibiza in) she learns that her father’s second wife is dying. Upon her way to see the dying woman she encounters a weird mute housekeeper who looks like an old version of Pedro from Napoleon Dynamite who had really let himself go, her uncle, her aunt and a woman who I’m guessing might be her cousin or something (Apart from the main girl, I never really picked up the character’s name). There all a bit kooky and weird and her uncle at least is strangely cold to the touch. I imagine she reconciles this in her mind by just assuming it’s because they’re from mainland Europe, a fair assumption to make, but it’s soon clear that there’s more going on here. Unfortunately the movie never makes it clear what that is.

So as time progresses, Christina has weird dreams about her dead father calling her name and he appears to her as a being caught somewhere between life and death. But I have see no real reason for him showing up because he doesn’t do anything except warn her about things at too late a juncture for her to do anything about them. And seeing as this is a European horror film made in the 70s, there’s also plenty of shots of Christina and others completely naked for no real reason. There’s one bit where Christina goes swimming naked in a pond and two characters who never appear again leer over her until they are shooed away by a third character who also never appears again. Basically it’s an excuse for the girl to frolic about with a kit of for a bit. Still she’s kinda cute and has a well managed bush by 70s standards at least.

So through all of this incomprehensible mess, there aren’t any actual zombies in this zombie film except for the vague implication that her family might be the living dead. And by vague implication I mean that but where she notes that her Uncle is cold to the touch. Her cousin also has a habit of drinking blood from her blind cousin’s breasts (who shows up vaguely warn Christina about something) and someone goes around putting the desiccated bodies of bed all over place because… well, because. I understand there is a later cut of this film where the director added scenes of traditional zombies and it’s apparently even more confusing than this version. That surely takes some doing.

By the end of the film Christina has gone quite mad after being attacked by her family some reason. Then she has another dream where Lady Death takes her into the pond she swam naked earlier and her family follow her. Seriously. I have no fucking idea what the hell happened in this film. When there weren’t naked people on screen, people were talking in vague and philosophical terms about death which is why I said that the film had a French feeling to it. That’s the kind of thing French people do.

So the first film of Zombie month has no Zombies in it and was completely incomprehensible to boot. This is not the best start to this marathon. Here’s hoping tomorrow’s film kicks things up a notch. Bam. I rate ‘A Virgin Amongst The Living Dead’ one pint out of five because the vaguely cute girl got vaguely naked a vaguely large number of times. Laterz then.

You can buy a version of ‘A Virgin Among The Living Dead’ from the Cinepub Amazon.co.uk Store for £3.99



Zombie Month: A Virgin Among The Living Dead by Jamie

Well, I honestly thought that the recent Zombie craze which saw itself rise like… well, like a Zombie, in the early 2000s was kinda coming to end, replaced by a love for creatures which called themselves vampires and werewolves which in no way resembled vampires or werewolves. (Seriously, why is the Twilight series named after things relating to the night? None of the creatures powers in that series are linked in anyway to the night.) But the Zombie trend continues to shuffle on relentlessly like… well, like a Zombie, buoyed most recently by the awesome small screen adaptation of the awesome comic book ‘The Walking Dead’.

Because of this I’ve found myself more obsessed with Zombies than is probably legal. To try and get over this I have decided that December will be Zombie month at Cinepub. And really what better month than December to pick? For was December not the month that the man who would grow up to become the first Zombie, Jesus Hubert Christ, born? Well in reality probably not but the legend says it so and what’s better? The truth or an entertaining lie?
 

Clearly an entertaining lie.

So with all that in mind I went to Wikipedia’s list of Zombie films and arbitrarily picked thirty-one titles to watch and review. I decided to ignore the old classics such as Romero’s body of work and the beloved splatter films of the 70s and 80s because, well, what more can I say at them. (With the exception of one classic from the 80s because I haven’t seen it in years, I had a damn hard time finding it and this seems like a good excuse to finally rewatch it again). For the most part, many of the films seem to be made during the recent craze and many seem to be very, very low budget. I’m hoping that I’ll find a few modern gems amongst what I’m sure will be largely a pile of shit but hey, negative reviews are always more fun to write and read than positive ones so I’m sure we’ll have some fun.

Today’s entry in the marathon is one that didn’t come from the modern era. It’s titled ‘A Virgin Among The Living Dead’ and is from the 70s. It’s also European but I’m having a hard time pinning down exactly where. The opening titles are in French but according to IMDB the original language was German (my copy is dubbed) and it lists the country’s involved as France, Belgium, Italy and Germany but it certainly has a very French feel about it.

The basic story is… Well, it’s difficult to say. Let’s just say the film is a huge confusing mess, right of the bat. I’m also not sure exactly why it’s listed in Wikipedia’s list of Zombie films. We’ll come to that though. I guess the basic story is that a girl, Chirstine, who had been living in London returns to Miscellaneous European Country upon hearing the news of her father’s death in order to attend the reading of his will. She had never really known her father as he had sent her to private school in England after the death of her mother and had never met his extended family either.

Upon reaching the family castle (A ‘castle’ which it must be noted looked smaller than the villa I spent my summer holiday in Ibiza in) she learns that her father’s second wife is dying. Upon her way to see the dying woman she encounters a weird mute housekeeper who looks like an old version of Pedro from Napoleon Dynamite who had really let himself go, her uncle, her aunt and a woman who I’m guessing might be her cousin or something (Apart from the main girl, I never really picked up the character’s name). There all a bit kooky and weird and her uncle at least is strangely cold to the touch. I imagine she reconciles this in her mind by just assuming it’s because they’re from mainland Europe, a fair assumption to make, but it’s soon clear that there’s more going on here. Unfortunately the movie never makes it clear what that is.

So as time progresses, Christina has weird dreams about her dead father calling her name and he appears to her as a being caught somewhere between life and death. But I have see no real reason for him showing up because he doesn’t do anything except warn her about things at too late a juncture for her to do anything about them. And seeing as this is a European horror film made in the 70s, there’s also plenty of shots of Christina and others completely naked for no real reason. There’s one bit where Christina goes swimming naked in a pond and two characters who never appear again leer over her until they are shooed away by a third character who also never appears again. Basically it’s an excuse for the girl to frolic about with a kit of for a bit. Still she’s kinda cute and has a well managed bush by 70s standards at least.

So through all of this incomprehensible mess, there aren’t any actual zombies in this zombie film except for the vague implication that her family might be the living dead. And by vague implication I mean that but where she notes that her Uncle is cold to the touch. Her cousin also has a habit of drinking blood from her blind cousin’s breasts (who shows up vaguely warn Christina about something) and someone goes around putting the desiccated bodies of bed all over place because… well, because. I understand there is a later cut of this film where the director added scenes of traditional zombies and it’s apparently even more confusing than this version. That surely takes some doing.

By the end of the film Christina has gone quite mad after being attacked by her family some reason. Then she has another dream where Lady Death takes her into the pond she swam naked earlier and her family follow her. Seriously. I have no fucking idea what the hell happened in this film. When there weren’t naked people on screen, people were talking in vague and philosophical terms about death which is why I said that the film had a French feeling to it. That’s the kind of thing French people do.

So the first film of Zombie month has no Zombies in it and was completely incomprehensible to boot. This is not the best start to this marathon. Here’s hoping tomorrow’s film kicks things up a notch. Bam. I rate ‘A Virgin Amongst The Living Dead’ one pint out of five because the vaguely cute girl got vaguely naked a vaguely large number of times. Laterz then.

You can buy a version of ‘A Virgin Among The Living Dead’ from the Cinepub Amazon.co.uk Store for £3.99



Last Year In Film: The Reader by Jamie

A quick warning, spoilers ahead.

The Reader is the charming tale of Hanna Schmitz, who meets a fifteen year old boy, Michael Berg, fucks him over the duration of a summer and getting him to read to her before leaving him. Years later he becomes a law student and, whilst sitting in on a trial, learns that his former lover is a Nazi war criminal who is sentenced to life in prison for not letting three hundred Jews out of a burning church. Michael grows up to become a lawyer and Ralph Fiennes who is conflicted due to his love for a Nazi war criminal and a decision he made during the trial which potentially caused her to have a harsher sentence. In his guilt he records tapes of the books he used to read to her when he was fifteen. Using these tapes Hanna learns to read and write and begins to send Michael letters which he refuses to reply to. After twenty years Hanna is about to be released from prison and Michael is contacted and informed that he is the only person Hanna has been in contact with and that he has to take care of her. So he goes to see Hanna and is very cold with her. Hanna seems to take umbrage with this and kills herself. So there you go a basic quick summary and what a cheery summary it was too.

So, The Reader then. It’s the one film out the best picture nominations that I was probably the most dubious about. From what I’d heard the story sounded as though it could be a little slow and really not up my alley. In fact, I went into this film expecting to hate it. Well, I’m ready to admit right now that I was wrong. The Reader was a truly fucking fantastic film. The story was well paced and always managed to keep my interest. The acting was amazing and I was quite pleased to see that they didn’t go overboard with the German accents though this did seem to occasionally result in the accents slipping slightly, especially in particularly emotional scenes. Perhaps the biggest surprise for me was the appearance of my favourite Swiss actor Bruno Ganz as Professor Rohl, Michael’s law professor at Heidelberg University. If you don’t know who Bruno Ganz is then I suggest you stop reading this review, go and watch The Downfall in which Ganz plays Hitler during the final days of Nazi Germany and then come back.

The film’s fairly unique in that it’s the only film about the Holocaust that I can think of that deals with the horrific events without ever being set at any time during World War II itself. This provides a unique opportunity in that it really deals with German guilt after the fact and the feeling of the first generation born after the atrocities and the massive burden that they have inherited as a nation from their parents. This is particularly poignant from Michael’s point of view as he is so disgusted by the acts that Hanna has committed that he cannot bring himself to present evidence that may make her sentence more lenient, a decision that will leave him conflicted for the remainder of his life.

Perhaps the strangest part of this film is that Hanna seems to be far more ashamed of her illiteracy than the crimes she committed during her time as an SS officer. In fact she only ever hints that she feels even the slightest bit of remorse for her role in the Holocaust, leaving the viewer completely unsure of whether she’s remorseful or not. This makes her a character that it’s very hard to feel sympathy for and, perhaps to some degree, that’s the point. Maybe you’re not supposed to feel sorry for her. After all she was complicit in one of the most horrific events in recent history. On the other hand, you’ve also known her as a person for the first part of the film, before you find out about her past, and as such you’ve seen that she’s capable of love, kindness and understanding and you also know that there is no way she could have possibly written the report which leads to her harsher sentence. It pretty much leaves you as conflicted as Michael is himself.

So I guess all that’s left to say is was Kate Winslet deserving of her Best Actress award at the Oscars for this role? Well, I can’t really say yet as I haven’t seen the performances of the rest of those nominated yet, so it’ll have to wait until I’ve watched all of those but I will say that she is excellent in this film and it’s surely mostly down to her performance that you feel anything for what should be an unsympathetic character at all. It’s also worth mentioning the episode of Extras that Kate Winslet was in where she mentions that if you really want an Oscar than doing a Holocaust movie makes it pretty much guaranteed. Interesting stuff.

Anyway that’s about it. Over all I give The Reader four pints out of five.

Laterz.




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