Cinepub


31 Days of Horror 7: V/H/S (2012) by Jamie

Ah, the horror anthology. It’s a tradition that dates back to a time immemorial when cavemen would sit around campfires telling tales of Neanderthal ghosts, trying to scare each other before all piling into their foot-powered cars and heading to the local fast-food eatery for some giant ribs I assume. That proud tradition returns once again with ‘V/H/S’.

Ok, first I feel as though a quick history lesson is in order. VHS cassettes were large, rectangular blocks of plastic filled with tape that allowed you to view your favourite films in ever decreasing quality. They had no way to skip between chapters meaning, if you were so inclined, you’d have to fast-forward to your favourite scene which essentially involved still having to watch everything that came before it but at a slightly higher speed. Oh, and you had to rewind it all the way to the beginning once you were done. Rental shops in particular got very angry if you didn’t… Ok, rental shops were basically Netflix but you had to go outside to get the movies on the ever-decreasing quality plastic blocks and then return them, rewound of course, after a set period of time. It was a dark and barbaric time.

The premise then of V/H/S is that some twenty-something ne’er-do-wells discover a cache of old VHS tapes and discover that each one contains an horrific story filled with terror! So yes, this is another found footage movie much like yesterday’s entry The Bay. Unlike The Bay, however, V/H/S is nowhere near as well shot. In fact it has some of the shakiest shaky-cam I have ever had the misfortune to see. Seriously, I contemplated turning it off during the first segment because it was borderline unwatchable. Still, I figured that then I’d have to figure out what movie to watch instead and changing my mind after coming to a decision is difficult because I find myself paralysed by near-infinite choice, so I decided to stick with it. And I am actually kind of glad I did.

V/H/S is by no means as satisfying a film as The Bay, not by a long shot but It certainly has moments of genuine creepiness that compelled me to keep watching. One of the problem with the film is that some of these segments, whilst building quite a decent amount of tension, end rather disappointingly. On the other hand some of them work too well, leaving you feeling as though they actually might work better as a stand alone feature, given a little time for the story to breath a little better. Still “a mixed bag” is often the best way to describe any horror anthology movie and so it I with V/H/S

Over all, I would definitely say this is worth a watch. The good segments are genuinely good and the even the mediocre ones have something to keep you hooked for a while. Perhaps it’s biggest fault is it’s running time. A movie like this didn’t really need to be nearly two hours long and I can think of at least one segment that the loss of which might have improved it slightly. Still, other than that a generally enjoyable experience. Three pints out of five. Laterz.



Zombie Month: Creepshow and a Short Word About Leslie Nielsen by Jamie

When I was a young creature, freshly spawned from the Earth and learning to survive in the harsh, unforgiving bitch of a world I came to find myself living in, I came across a movie. That movie was ‘Airplane!’ and it was one of those films that would come to build the foundation of what I would find funny in later life. Being a young British spawnling at the time I’m sure there were certain references in the film that flew over my head and I probably hadn’t seen any films from the genre that the film was spoofing but it was hilarious all the same. In particular there was one grey haired gentleman name Dr. Rumack, a straight-faced, serious yet hilarious man who had me laughing with his insistences that people not call him Shirley. That doctor was played by Leslie Nielsen.

As I grew I came to see more of the man’s comedic work in particular ‘Police Squad’ which in turn lead to the film series ‘Naked Gun’. Nielsen played Detective Frank Drebin and continued to do what he had done so well, playing a serious man in a ridiculous world and treating the ridiculous as though it were commonplace such as arresting a chimpanzee dressed in a gangster suit for murder at the zoo or having a whole bunch of cops kill each other in order to figure out the trajectory of a bullet. Things got a bit more ridiculous and slapsticky in ‘Naked Gun’ but it was still based on the very simple premise that the ridiculous parody world that the characters inhabited was just completely normal to them. As I said, it was this kind of thing that Nielsen shined at. It also shouldn‘t be forgotten that the man had made comic timing look like an art, always knowing the funniest moment to react to or comment on what was going on around him.

His later works suffered a bit in quality and I’ll be honest I didn’t see many of them. I saw ‘Dracula: Dead and Loving It’ when I was about twelve and being young, I probably found it quite funny though repeat viewings have quashed that opinion. I will say that he was probably one of the only things I found funny in ‘Scary Movie 3’. I didn’t see ‘Scary Movie 4’ and I’ve seen a little of ‘Superhero Movie’. It was enough, trust me.

Still, this isn’t about then, it’s about before then. Those classics that I grew up with and loved and the man who helped make them as funny as they were. Leslie Nielsen, a great funny, funny man. The world sucks a little more now that he’s dead.

In honour of Leslie Nielsen, I’ve shoe-horned Creepshow into the Zombie month. I know I said I wasn’t going to touch on Romero’s films but it isn’t a ‘…Of the Dead’ film and these are mitigating circumstances so fuck you. Besides, I can write about what I want and change my mind as I see fit. It’s a blogger’s prerogative… Look, I’m sorry; I didn’t mean to swear at you. It’s just that I could feel you judging me with your eyes and… Let’s just move on shall we?

Creepshow is a 1982 horror anthology film directed by George A. Romero (The Deadfather) and written by Stephen King. If you don’t know what a horror anthology is then… Well, have you seen a Halloween episode of ‘The Simpsons’? Think that but live action and, depending on the film, less humour. Creepshow was based on the precept that the shorts in the film were stories in one of those old 50s horror comics book that a boy’s father had found and thrown away and it had quite a few notables amongst it’s cast. Besides Nielsen it also featured Ted Danson, Adrienne Barbeau, E.G. Marshall, Ed Harris, Hal Holbrook, Joe Hill (Stephen King’s son), a small cameo by Tom Savini and Stephen King himself playing a stereotypical hillbilly who begins sprouting weeds after getting ‘meteor shit’ on his hands.

Nielsen appears in a segment called ‘Something To Tide You Over’ which appropriately enough features Zombies, so let’s dig into it a little, shall we? Oh, spoiler alert by the way. The segment is short so not talking about the plot would leave me very little indeed.

Nielsen plays a wealthy man, Richard Vickers, who seems somewhat obsessed with televisions and videos. He discovers that his young trophy wife Becky (Gaylen Ross) is having an affair with Henry Wentworth (Ted Danson) whom he promptly kidnaps. He takes Wentworth to his private beach and forces him to bury himself up to his neck in sand. He then sets up a television and a camera so that Wentworth can watch as Becky, buried in another location further down the beach, dies as the tide slowly comes in. Vickers returns to his beach house, leaving Wentworth to his presumed fate.

Later that Vickers begins hearing strange noises and is shocked to find that Wentworth and Becky have risen from the dead! They come for him, telling they’ve made a hole for him down on the beach. He tries to shoot them but the bullets prove ineffective against the undead lovers. I gotta say, this was actually pretty creepy, even watching it again. There’s something about the Zombie make-up, all covered in sea-weed, the way they speak and the way they relentlessly but slowly come after Vickers, arms outstretched, that just really got to me. Anyway, the final scene is Vickers buried up to his neck in the sand, screaming that he can hold his breath for a long time as the tide slowly comes in.

So what can be said about ‘Something to Tide You Over?’ Well it’s certainly one of the more serious, scarier parts of ‘Creepshow’ with some of the other segments certainly having a more obvious sense of humour about them. This may come as something as a surprise as this was just two years after ‘Airplane!’ and around the time ‘Police Squad’ was being shown on television. Still there is humour there and it’s found in Nielsen’s dry, villainous wit as he kidnaps Danson and forces him to bury himself. It’s also a bit weird to see him playing the villain but you can tell he’s having a good time with it is imminently fun to watch.

As for the Zombies, they aren’t the traditional Romero fare. As this is based on those old horror comics, they are far more akin to the living dead that would be found in the pages of those. They are generally small in number, tend towards the skeletal (as in the first segment, Father’s Day) or, as in the case of this segment, have a very maritime flair. They are also brought back from the dead not by some mysterious virus or hell having run out of room. No, they are motivated by the mystical force of revenge, coming to seek vengeance on those who wronged them in life which is a kinda cool concept but not one that’d work on a mass Zombie Apocalypse level.

So there you go. That’s my review of one segment from Creepshow in honour of Leslie Nielsen. I heartily recommend it and the whole of Creepshow really. It’s got a few problems here and there, with some of the segments seeming a little more drawn out than perhaps they should have been but if you like horror, horror anthologies or the earlier works of George A. Romero, I highly recommend it. Four pints out of five. Laterz.

You can buy Creepshow at the Cinepub Amazon.co.uk Store.



Zombie Month: Creepshow and a Short Word About Leslie Nielsen by Jamie

When I was a young creature, freshly spawned from the Earth and learning to survive in the harsh, unforgiving bitch of a world I came to find myself living in, I came across a movie. That movie was ‘Airplane!’ and it was one of those films that would come to build the foundation of what I would find funny in later life. Being a young British spawnling at the time I’m sure there were certain references in the film that flew over my head and I probably hadn’t seen any films from the genre that the film was spoofing but it was hilarious all the same. In particular there was one grey haired gentleman name Dr. Rumack, a straight-faced, serious yet hilarious man who had me laughing with his insistences that people not call him Shirley. That doctor was played by Leslie Nielsen.

As I grew I came to see more of the man’s comedic work in particular ‘Police Squad’ which in turn lead to the film series ‘Naked Gun’. Nielsen played Detective Frank Drebin and continued to do what he had done so well, playing a serious man in a ridiculous world and treating the ridiculous as though it were commonplace such as arresting a chimpanzee dressed in a gangster suit for murder at the zoo or having a whole bunch of cops kill each other in order to figure out the trajectory of a bullet. Things got a bit more ridiculous and slapsticky in ‘Naked Gun’ but it was still based on the very simple premise that the ridiculous parody world that the characters inhabited was just completely normal to them. As I said, it was this kind of thing that Nielsen shined at. It also shouldn‘t be forgotten that the man had made comic timing look like an art, always knowing the funniest moment to react to or comment on what was going on around him.

His later works suffered a bit in quality and I’ll be honest I didn’t see many of them. I saw ‘Dracula: Dead and Loving It’ when I was about twelve and being young, I probably found it quite funny though repeat viewings have quashed that opinion. I will say that he was probably one of the only things I found funny in ‘Scary Movie 3’. I didn’t see ‘Scary Movie 4’ and I’ve seen a little of ‘Superhero Movie’. It was enough, trust me.

Still, this isn’t about then, it’s about before then. Those classics that I grew up with and loved and the man who helped make them as funny as they were. Leslie Nielsen, a great funny, funny man. The world sucks a little more now that he’s dead.

In honour of Leslie Nielsen, I’ve shoe-horned Creepshow into the Zombie month. I know I said I wasn’t going to touch on Romero’s films but it isn’t a ‘…Of the Dead’ film and these are mitigating circumstances so fuck you. Besides, I can write about what I want and change my mind as I see fit. It’s a blogger’s prerogative… Look, I’m sorry; I didn’t mean to swear at you. It’s just that I could feel you judging me with your eyes and… Let’s just move on shall we?

Creepshow is a 1982 horror anthology film directed by George A. Romero (The Deadfather) and written by Stephen King. If you don’t know what a horror anthology is then… Well, have you seen a Halloween episode of ‘The Simpsons’? Think that but live action and, depending on the film, less humour. Creepshow was based on the precept that the shorts in the film were stories in one of those old 50s horror comics book that a boy’s father had found and thrown away and it had quite a few notables amongst it’s cast. Besides Nielsen it also featured Ted Danson, Adrienne Barbeau, E.G. Marshall, Ed Harris, Hal Holbrook, Joe Hill (Stephen King’s son), a small cameo by Tom Savini and Stephen King himself playing a stereotypical hillbilly who begins sprouting weeds after getting ‘meteor shit’ on his hands.

Nielsen appears in a segment called ‘Something To Tide You Over’ which appropriately enough features Zombies, so let’s dig into it a little, shall we? Oh, spoiler alert by the way. The segment is short so not talking about the plot would leave me very little indeed.

Nielsen plays a wealthy man, Richard Vickers, who seems somewhat obsessed with televisions and videos. He discovers that his young trophy wife Becky (Gaylen Ross) is having an affair with Henry Wentworth (Ted Danson) whom he promptly kidnaps. He takes Wentworth to his private beach and forces him to bury himself up to his neck in sand. He then sets up a television and a camera so that Wentworth can watch as Becky, buried in another location further down the beach, dies as the tide slowly comes in. Vickers returns to his beach house, leaving Wentworth to his presumed fate.

Later that Vickers begins hearing strange noises and is shocked to find that Wentworth and Becky have risen from the dead! They come for him, telling they’ve made a hole for him down on the beach. He tries to shoot them but the bullets prove ineffective against the undead lovers. I gotta say, this was actually pretty creepy, even watching it again. There’s something about the Zombie make-up, all covered in sea-weed, the way they speak and the way they relentlessly but slowly come after Vickers, arms outstretched, that just really got to me. Anyway, the final scene is Vickers buried up to his neck in the sand, screaming that he can hold his breath for a long time as the tide slowly comes in.

So what can be said about ‘Something to Tide You Over?’ Well it’s certainly one of the more serious, scarier parts of ‘Creepshow’ with some of the other segments certainly having a more obvious sense of humour about them. This may come as something as a surprise as this was just two years after ‘Airplane!’ and around the time ‘Police Squad’ was being shown on television. Still there is humour there and it’s found in Nielsen’s dry, villainous wit as he kidnaps Danson and forces him to bury himself. It’s also a bit weird to see him playing the villain but you can tell he’s having a good time with it is imminently fun to watch.

As for the Zombies, they aren’t the traditional Romero fare. As this is based on those old horror comics, they are far more akin to the living dead that would be found in the pages of those. They are generally small in number, tend towards the skeletal (as in the first segment, Father’s Day) or, as in the case of this segment, have a very maritime flair. They are also brought back from the dead not by some mysterious virus or hell having run out of room. No, they are motivated by the mystical force of revenge, coming to seek vengeance on those who wronged them in life which is a kinda cool concept but not one that’d work on a mass Zombie Apocalypse level.

So there you go. That’s my review of one segment from Creepshow in honour of Leslie Nielsen. I heartily recommend it and the whole of Creepshow really. It’s got a few problems here and there, with some of the segments seeming a little more drawn out than perhaps they should have been but if you like horror, horror anthologies or the earlier works of George A. Romero, I highly recommend it. Four pints out of five. Laterz.

You can buy Creepshow at the Cinepub Amazon.co.uk Store.




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