Cinepub


2012 Best Picture Round Up: Argo (Repost) by Jamie

It’s Oscar time again and the nominees have been announced so it’s time to review the ones I’m able to. Luckily, I already had one in the bag from last year. So here it is again, my review of Argo. Enjoy.

I’ve really been getting in to films based on historical events lately. I’ve watched a ton of them in the past couple of months alone including Ben Affleck’s “Gone Baby Gone”‘ which I enjoyed immensely. So I was pretty excited about the release of Affleck’s new film, “Argo”. Hell, throw in the fact that this also happens to be an historical event that has something to do with the film industry as well and it almost seems as though this damn film was made specifically to tickle my balls. Yes, it had everything that I could have asked for. So did I love it unapologetically like the movie/history geek that I am? Let’s find out.

The movie takes place during the Iran hostage crisis that stretched from late 1979 to early 1981 and deals with one specific event in particular, the so-called Canadian Caper because apparently missions where people risk their lives must have adorable nicknames. On the 4th of November, Iranian students took control of American embassy and took the staff hostage in order to protest the Americans given shelter to the former Shah Mohammad Reza Pahlavi ad have him returned to Iran to stand trial for crimes committed during his rule. Six hostages managed to escape and took shelter at the Canadian embassy and a plan was drawn up by the CIA and the Canadian government to try and get them safely out of the country. Tony Méndez, a disguise an exfiltration expert, came up with a plot to extract them. He employed the aid of John Chamber, a Hollywood make-up artist, to create a fake film production office. The cover story was that the six trapped in Iran were actually Canadians working on a film and they were in the country scouting for locations for a Star Wars-esque Sci-fi fantasy film, Argo.

And that’s about all I’m going to describer of the movie plot/actual events because to say much more would give away the plot. So, back to the original question: Did I love this film? Well, I cewrtainly enjoyed it but I did find it to be a bit slow going at points, particularly the moments where the trapped Americans are literally waiting around trying to get rescued. I suppose that this reflects the monotony of actually being trapped in a building for days on end and so in that regard I suppose it’s quite effective. Overall, however, this film was fucking awesome. Every time Ben Affleck directs something I’m always surprised by just how good he is. The pacing during some of the more intense sequences is impeccable. I was quite literally on the edge of my seat during some moments, so tense were some of the events that were playing out on screen.

There’s also a nice counterbalance to that intensity with quite a nice deal of humour provided by John Goodman as John Chambers and Alan Arkin as producer Lester Siegel. Not only are they great comic relief during some of the earlier scenes where they are trying to drum up publicity for a film that they know will be never filmed but that same humour actually comes to just rack things up later during one of the most tense scenes during the entire film.

If I have any complaint it’s that one I made earlier about some of the scenes just slowing things down a bit too much but really that’s a minor issue and about the only one I can really think of. I suppose it could be argued that the portrayal of Iranians is a bit one note, though I feel it delves deep enough into the politics behind their outrage that, whilst not outright justifying their actions, it certainly helps to explain them. So with all said and done, I’ll give Argo four and a half pints out of five. Now Argo fuck yourself and see it. Laterz.



Review: Argo by Jamie

I’ve really been getting in to films based on historical events lately. I’ve watched a ton of them in the past couple of months alone including Ben Affleck’s “Gone Baby Gone”‘ which I enjoyed immensely. So I was pretty excited about the release of Affleck’s new film, “Argo”. Hell, throw in the fact that this also happens to be an historical event that has something to do with the film industry as well and it almost seems as though this damn film was made specifically to tickle my balls. Yes, it had everything that I could have asked for. So did I love it unapologetically like the movie/history geek that I am? Let’s find out.

The movie takes place during the Iran hostage crisis that stretched from late 1979 to early 1981 and deals with one specific event in particular, the so-called Canadian Caper because apparently missions where people risk their lives must have adorable nicknames. On the 4th of November, Iranian students took control of American embassy and took the staff hostage in order to protest the Americans given shelter to the former Shah Mohammad Reza Pahlavi ad have him returned to Iran to stand trial for crimes committed during his rule. Six hostages managed to escape and took shelter at the Canadian embassy and a plan was drawn up by the CIA and the Canadian government to try and get them safely out of the country. Tony Méndez, a disguise an exfiltration expert, came up with a plot to extract them. He employed the aid of John Chamber, a Hollywood make-up artist, to create a fake film production office. The cover story was that the six trapped in Iran were actually Canadians working on a film and they were in the country scouting for locations for a Star Wars-esque Sci-fi fantasy film, Argo.

And that’s about all I’m going to describer of the movie plot/actual events because to say much more would give away the plot. So, back to the original question: Did I love this film? Well, I cewrtainly enjoyed it but I did find it to be a bit slow going at points, particularly the moments where the trapped Americans are literally waiting around trying to get rescued. I suppose that this reflects the monotony of actually being trapped in a building for days on end and so in that regard I suppose it’s quite effective. Overall, however, this film was fucking awesome. Every time Ben Affleck directs something I’m always surprised by just how good he is. The pacing during some of the more intense sequences is impeccable. I was quite literally on the edge of my seat during some moments, so tense were some of the events that were playing out on screen.

There’s also a nice counterbalance to that intensity with quite a nice deal of humour provided by John Goodman as John Chambers and Alan Arkin as producer Lester Siegel. Not only are they great comic relief during some of the earlier scenes where they are trying to drum up publicity for a film that they know will be never filmed but that same humour actually comes to just rack things up later during one of the most tense scenes during the entire film.

If I have any complaint it’s that one I made earlier about some of the scenes just slowing things down a bit too much but really that’s a minor issue and about the only one I can really think of. I suppose it could be argued that the portrayal of Iranians is a bit one note, though I feel it delves deep enough into the politics behind their outrage that, whilst not outright justifying their actions, it certainly helps to explain them. So with all said and done, I’ll give Argo four and a half pints out of five. Now Argo fuck yourself and see it. Laterz.



Zombie Month: Creepshow and a Short Word About Leslie Nielsen by Jamie

When I was a young creature, freshly spawned from the Earth and learning to survive in the harsh, unforgiving bitch of a world I came to find myself living in, I came across a movie. That movie was ‘Airplane!’ and it was one of those films that would come to build the foundation of what I would find funny in later life. Being a young British spawnling at the time I’m sure there were certain references in the film that flew over my head and I probably hadn’t seen any films from the genre that the film was spoofing but it was hilarious all the same. In particular there was one grey haired gentleman name Dr. Rumack, a straight-faced, serious yet hilarious man who had me laughing with his insistences that people not call him Shirley. That doctor was played by Leslie Nielsen.

As I grew I came to see more of the man’s comedic work in particular ‘Police Squad’ which in turn lead to the film series ‘Naked Gun’. Nielsen played Detective Frank Drebin and continued to do what he had done so well, playing a serious man in a ridiculous world and treating the ridiculous as though it were commonplace such as arresting a chimpanzee dressed in a gangster suit for murder at the zoo or having a whole bunch of cops kill each other in order to figure out the trajectory of a bullet. Things got a bit more ridiculous and slapsticky in ‘Naked Gun’ but it was still based on the very simple premise that the ridiculous parody world that the characters inhabited was just completely normal to them. As I said, it was this kind of thing that Nielsen shined at. It also shouldn‘t be forgotten that the man had made comic timing look like an art, always knowing the funniest moment to react to or comment on what was going on around him.

His later works suffered a bit in quality and I’ll be honest I didn’t see many of them. I saw ‘Dracula: Dead and Loving It’ when I was about twelve and being young, I probably found it quite funny though repeat viewings have quashed that opinion. I will say that he was probably one of the only things I found funny in ‘Scary Movie 3’. I didn’t see ‘Scary Movie 4’ and I’ve seen a little of ‘Superhero Movie’. It was enough, trust me.

Still, this isn’t about then, it’s about before then. Those classics that I grew up with and loved and the man who helped make them as funny as they were. Leslie Nielsen, a great funny, funny man. The world sucks a little more now that he’s dead.

In honour of Leslie Nielsen, I’ve shoe-horned Creepshow into the Zombie month. I know I said I wasn’t going to touch on Romero’s films but it isn’t a ‘…Of the Dead’ film and these are mitigating circumstances so fuck you. Besides, I can write about what I want and change my mind as I see fit. It’s a blogger’s prerogative… Look, I’m sorry; I didn’t mean to swear at you. It’s just that I could feel you judging me with your eyes and… Let’s just move on shall we?

Creepshow is a 1982 horror anthology film directed by George A. Romero (The Deadfather) and written by Stephen King. If you don’t know what a horror anthology is then… Well, have you seen a Halloween episode of ‘The Simpsons’? Think that but live action and, depending on the film, less humour. Creepshow was based on the precept that the shorts in the film were stories in one of those old 50s horror comics book that a boy’s father had found and thrown away and it had quite a few notables amongst it’s cast. Besides Nielsen it also featured Ted Danson, Adrienne Barbeau, E.G. Marshall, Ed Harris, Hal Holbrook, Joe Hill (Stephen King’s son), a small cameo by Tom Savini and Stephen King himself playing a stereotypical hillbilly who begins sprouting weeds after getting ‘meteor shit’ on his hands.

Nielsen appears in a segment called ‘Something To Tide You Over’ which appropriately enough features Zombies, so let’s dig into it a little, shall we? Oh, spoiler alert by the way. The segment is short so not talking about the plot would leave me very little indeed.

Nielsen plays a wealthy man, Richard Vickers, who seems somewhat obsessed with televisions and videos. He discovers that his young trophy wife Becky (Gaylen Ross) is having an affair with Henry Wentworth (Ted Danson) whom he promptly kidnaps. He takes Wentworth to his private beach and forces him to bury himself up to his neck in sand. He then sets up a television and a camera so that Wentworth can watch as Becky, buried in another location further down the beach, dies as the tide slowly comes in. Vickers returns to his beach house, leaving Wentworth to his presumed fate.

Later that Vickers begins hearing strange noises and is shocked to find that Wentworth and Becky have risen from the dead! They come for him, telling they’ve made a hole for him down on the beach. He tries to shoot them but the bullets prove ineffective against the undead lovers. I gotta say, this was actually pretty creepy, even watching it again. There’s something about the Zombie make-up, all covered in sea-weed, the way they speak and the way they relentlessly but slowly come after Vickers, arms outstretched, that just really got to me. Anyway, the final scene is Vickers buried up to his neck in the sand, screaming that he can hold his breath for a long time as the tide slowly comes in.

So what can be said about ‘Something to Tide You Over?’ Well it’s certainly one of the more serious, scarier parts of ‘Creepshow’ with some of the other segments certainly having a more obvious sense of humour about them. This may come as something as a surprise as this was just two years after ‘Airplane!’ and around the time ‘Police Squad’ was being shown on television. Still there is humour there and it’s found in Nielsen’s dry, villainous wit as he kidnaps Danson and forces him to bury himself. It’s also a bit weird to see him playing the villain but you can tell he’s having a good time with it is imminently fun to watch.

As for the Zombies, they aren’t the traditional Romero fare. As this is based on those old horror comics, they are far more akin to the living dead that would be found in the pages of those. They are generally small in number, tend towards the skeletal (as in the first segment, Father’s Day) or, as in the case of this segment, have a very maritime flair. They are also brought back from the dead not by some mysterious virus or hell having run out of room. No, they are motivated by the mystical force of revenge, coming to seek vengeance on those who wronged them in life which is a kinda cool concept but not one that’d work on a mass Zombie Apocalypse level.

So there you go. That’s my review of one segment from Creepshow in honour of Leslie Nielsen. I heartily recommend it and the whole of Creepshow really. It’s got a few problems here and there, with some of the segments seeming a little more drawn out than perhaps they should have been but if you like horror, horror anthologies or the earlier works of George A. Romero, I highly recommend it. Four pints out of five. Laterz.

You can buy Creepshow at the Cinepub Amazon.co.uk Store.



Zombie Month: Creepshow and a Short Word About Leslie Nielsen by Jamie

When I was a young creature, freshly spawned from the Earth and learning to survive in the harsh, unforgiving bitch of a world I came to find myself living in, I came across a movie. That movie was ‘Airplane!’ and it was one of those films that would come to build the foundation of what I would find funny in later life. Being a young British spawnling at the time I’m sure there were certain references in the film that flew over my head and I probably hadn’t seen any films from the genre that the film was spoofing but it was hilarious all the same. In particular there was one grey haired gentleman name Dr. Rumack, a straight-faced, serious yet hilarious man who had me laughing with his insistences that people not call him Shirley. That doctor was played by Leslie Nielsen.

As I grew I came to see more of the man’s comedic work in particular ‘Police Squad’ which in turn lead to the film series ‘Naked Gun’. Nielsen played Detective Frank Drebin and continued to do what he had done so well, playing a serious man in a ridiculous world and treating the ridiculous as though it were commonplace such as arresting a chimpanzee dressed in a gangster suit for murder at the zoo or having a whole bunch of cops kill each other in order to figure out the trajectory of a bullet. Things got a bit more ridiculous and slapsticky in ‘Naked Gun’ but it was still based on the very simple premise that the ridiculous parody world that the characters inhabited was just completely normal to them. As I said, it was this kind of thing that Nielsen shined at. It also shouldn‘t be forgotten that the man had made comic timing look like an art, always knowing the funniest moment to react to or comment on what was going on around him.

His later works suffered a bit in quality and I’ll be honest I didn’t see many of them. I saw ‘Dracula: Dead and Loving It’ when I was about twelve and being young, I probably found it quite funny though repeat viewings have quashed that opinion. I will say that he was probably one of the only things I found funny in ‘Scary Movie 3’. I didn’t see ‘Scary Movie 4’ and I’ve seen a little of ‘Superhero Movie’. It was enough, trust me.

Still, this isn’t about then, it’s about before then. Those classics that I grew up with and loved and the man who helped make them as funny as they were. Leslie Nielsen, a great funny, funny man. The world sucks a little more now that he’s dead.

In honour of Leslie Nielsen, I’ve shoe-horned Creepshow into the Zombie month. I know I said I wasn’t going to touch on Romero’s films but it isn’t a ‘…Of the Dead’ film and these are mitigating circumstances so fuck you. Besides, I can write about what I want and change my mind as I see fit. It’s a blogger’s prerogative… Look, I’m sorry; I didn’t mean to swear at you. It’s just that I could feel you judging me with your eyes and… Let’s just move on shall we?

Creepshow is a 1982 horror anthology film directed by George A. Romero (The Deadfather) and written by Stephen King. If you don’t know what a horror anthology is then… Well, have you seen a Halloween episode of ‘The Simpsons’? Think that but live action and, depending on the film, less humour. Creepshow was based on the precept that the shorts in the film were stories in one of those old 50s horror comics book that a boy’s father had found and thrown away and it had quite a few notables amongst it’s cast. Besides Nielsen it also featured Ted Danson, Adrienne Barbeau, E.G. Marshall, Ed Harris, Hal Holbrook, Joe Hill (Stephen King’s son), a small cameo by Tom Savini and Stephen King himself playing a stereotypical hillbilly who begins sprouting weeds after getting ‘meteor shit’ on his hands.

Nielsen appears in a segment called ‘Something To Tide You Over’ which appropriately enough features Zombies, so let’s dig into it a little, shall we? Oh, spoiler alert by the way. The segment is short so not talking about the plot would leave me very little indeed.

Nielsen plays a wealthy man, Richard Vickers, who seems somewhat obsessed with televisions and videos. He discovers that his young trophy wife Becky (Gaylen Ross) is having an affair with Henry Wentworth (Ted Danson) whom he promptly kidnaps. He takes Wentworth to his private beach and forces him to bury himself up to his neck in sand. He then sets up a television and a camera so that Wentworth can watch as Becky, buried in another location further down the beach, dies as the tide slowly comes in. Vickers returns to his beach house, leaving Wentworth to his presumed fate.

Later that Vickers begins hearing strange noises and is shocked to find that Wentworth and Becky have risen from the dead! They come for him, telling they’ve made a hole for him down on the beach. He tries to shoot them but the bullets prove ineffective against the undead lovers. I gotta say, this was actually pretty creepy, even watching it again. There’s something about the Zombie make-up, all covered in sea-weed, the way they speak and the way they relentlessly but slowly come after Vickers, arms outstretched, that just really got to me. Anyway, the final scene is Vickers buried up to his neck in the sand, screaming that he can hold his breath for a long time as the tide slowly comes in.

So what can be said about ‘Something to Tide You Over?’ Well it’s certainly one of the more serious, scarier parts of ‘Creepshow’ with some of the other segments certainly having a more obvious sense of humour about them. This may come as something as a surprise as this was just two years after ‘Airplane!’ and around the time ‘Police Squad’ was being shown on television. Still there is humour there and it’s found in Nielsen’s dry, villainous wit as he kidnaps Danson and forces him to bury himself. It’s also a bit weird to see him playing the villain but you can tell he’s having a good time with it is imminently fun to watch.

As for the Zombies, they aren’t the traditional Romero fare. As this is based on those old horror comics, they are far more akin to the living dead that would be found in the pages of those. They are generally small in number, tend towards the skeletal (as in the first segment, Father’s Day) or, as in the case of this segment, have a very maritime flair. They are also brought back from the dead not by some mysterious virus or hell having run out of room. No, they are motivated by the mystical force of revenge, coming to seek vengeance on those who wronged them in life which is a kinda cool concept but not one that’d work on a mass Zombie Apocalypse level.

So there you go. That’s my review of one segment from Creepshow in honour of Leslie Nielsen. I heartily recommend it and the whole of Creepshow really. It’s got a few problems here and there, with some of the segments seeming a little more drawn out than perhaps they should have been but if you like horror, horror anthologies or the earlier works of George A. Romero, I highly recommend it. Four pints out of five. Laterz.

You can buy Creepshow at the Cinepub Amazon.co.uk Store.




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